Thursday, April 24, 2008
Travel Photos & People Photos
Because I am an avid amateur photographer, and fortunate to have visited and lived in many places throughout the world, I have decided to add album pages of some of my best travel photos and people photos to this site. These will include pictures from India, Israel, China, Morocco, Egypt and many others taken over the years in the U.S. (the Grand Canyon and Sedona, Taos, Alaska, Navaratri celebrations of Indian NRI Gujarati community) and Europe (London, Oxford, Scotland, Paris...). I may even try to get some of my American Southwest 3D Stereo Views uploaded, for visitor who know how to make their eyes cross in order to "freeview" pueblos and desert panoramas! I also anticipate adding photography tips and "how to take better travel picture" tips in general. The cameras I use are either my old standby Nikon F, Leica M7 rangefinder, twin-lens Rolleiflex, or the new Leica digital M8. But the tips will be relevant to anyone who simply wants better results with their camera, especially when taking street shots of people. Visitors may link to album pages that I have uploaded to date by clicking on the link above, "My Travel & People Photos." As time permits, I will add many more album pages. Visitors who wish to order copies and / or custom framed enlargements of my work for decorating their home or workplace / office spaces may e-mail me at any time to make arrangements for doing so.
Friday, November 2, 2007
The Meaning of Clothing
SEE MORE RECENT POST 2-20-09; SAME SUBJECT, MORE INFORMATIVE]
Does what we wear matter? Please watch clip on youtube from a classic, legendary Raj Kapoor film, Shree 420. It is easily searched for and found on the web under the name of the film name or the song title, "Mera joota hai japoni." In it he sings:
My shoes are Japanese, my pants are English-style
mera joota hai japani yeh patloon englishtani
The cap on my head is Russian, but my heart is Indian.
sar pe lal topi roosi phir bhi dil hai hindustani
I go out into the big wide world, I walk with my head held high
nikal pade hai khulli sadak par apna seena taane
Where does my destination lie? Where will I ever settle?
manzil kahan, kahan rukna hain uparwala jaane
The Creator up above us only knows
badte jaayen hum sailani, jaise ek dariya toofani
Like true soldiers, we forge ahead
sarpi lal topi russi phir bhi dil hai hindustani
My shoes are Japanese…
The cap on my head is Russian, but my heart is Indian.
upar-neeche neeche-upar leher chale jeevan ki
Up and down, round and round, flow the eternal waves of life
nadaan hai jo baith kinare, pooche raah watan ki
Foolish are those who sit on the sidelines, with little care for their country’s fate
chalna jeevan ki kahaani, rukna maut ki nishaani
To forge ahead is like life, to stop still is like death
sarpi lal topi russi, phir bhi dil hai hindustani
The cap on my head is Russian, but my heart is Indian
mera joota hai japani, yeh patloon englishtani
My shoes are Japanese, my pants are English-style,
sarpi lal topi russi phir bhi dil hai hindustani
The cap on my head is Russian, but my heart is Indian.
In essence, these words, "picturized" long ago by a legend of Hindi cinema, are at the heart of my current work on NRIs and globalization. More to come...
Does what we wear matter? Please watch clip on youtube from a classic, legendary Raj Kapoor film, Shree 420. It is easily searched for and found on the web under the name of the film name or the song title, "Mera joota hai japoni." In it he sings:
My shoes are Japanese, my pants are English-style
mera joota hai japani yeh patloon englishtani
The cap on my head is Russian, but my heart is Indian.
sar pe lal topi roosi phir bhi dil hai hindustani
I go out into the big wide world, I walk with my head held high
nikal pade hai khulli sadak par apna seena taane
Where does my destination lie? Where will I ever settle?
manzil kahan, kahan rukna hain uparwala jaane
The Creator up above us only knows
badte jaayen hum sailani, jaise ek dariya toofani
Like true soldiers, we forge ahead
sarpi lal topi russi phir bhi dil hai hindustani
My shoes are Japanese…
The cap on my head is Russian, but my heart is Indian.
upar-neeche neeche-upar leher chale jeevan ki
Up and down, round and round, flow the eternal waves of life
nadaan hai jo baith kinare, pooche raah watan ki
Foolish are those who sit on the sidelines, with little care for their country’s fate
chalna jeevan ki kahaani, rukna maut ki nishaani
To forge ahead is like life, to stop still is like death
sarpi lal topi russi, phir bhi dil hai hindustani
The cap on my head is Russian, but my heart is Indian
mera joota hai japani, yeh patloon englishtani
My shoes are Japanese, my pants are English-style,
sarpi lal topi russi phir bhi dil hai hindustani
The cap on my head is Russian, but my heart is Indian.
In essence, these words, "picturized" long ago by a legend of Hindi cinema, are at the heart of my current work on NRIs and globalization. More to come...
Friday, August 17, 2007
The Dutch in Hartford, Connecticut
Going Dutch: everyday I pass a sign that reads: "Hartford. 1633 Dutch Fort." Hey, wait a minute! I don't remember hearing back in grade school that the Dutch explored Connecticut before the arrival of English settlers. Or that they came to trade for furs with the Pequots and Mohegans. Of course we were told that Henry Hudson sailed for the Dutch, and that Manhattan Island was purchased for the equivalent of a jar of glass beads, but as a child what I got out of that story was 1) the Dutch were very cunning!, and 2) the Indians were very stupid! Well, of course the Indians weren't stupid, they didn't "buy" anything as far as they were concerned, and they aren't "Indians" either. But that was American history as taught circa 1958. They told me my forefathers were Pilgrims, so the only way I could explain my grandparents' Yiddish accents was by concluding that people started talking strangely when they grew old. Anyway I have started thinking about that sign. OK, so the Dutch impact in the New World ultimately wasn't so great, but worldwide, the rise and expansion of their East and West India Companies was a major factor in the emergence of the modern world system. SO --- back to the oil paintings of the Dutch 17th century "Golden Age." There's more worldwide webs of stuff in them, besides the beaver hats! And they're not exactly trivia, either, when you think about the course of world history: sugar, pepper, porcelain, tobacco, "Oriental" carpets, even the pigments for some of the paints were exotic (lapis lazuli, Indian yellow from cow urine, Indian indigo) or of New World origin (cochineal). My conclusion? We are what we eat, we are what we wear, but we are not just what we think we are when we present ourselves to ourselves and to others. We are from all over the place. We are all of us. But each of us still has to pay their own way.
Saturday, July 28, 2007
Navaratri and NRIs ("non-resident Indians")
"A Home for the Indians": Each fall, Hindus all over the world celebrate Navaratri, a Goddess Festival that, on its culminating night, includes special forms of music, dance, worship, and the wearing by both males and females of their finest, most colorful traditional Indian clothing. Diaspora communities tend to have significant numbers of people whose homeland ties are to Gujarat, thus the folk "ring-dances" of garba, raas and dandiya from that Indian state are what people do mostly, in rented high-school gymnasiums all over North America. Nowadays, to the horror of their more conservative elders, a bit of Punjabi bhangra closes the evening for the benefit of the younger, American-born desis who want some cool music and dancing that is not strictly religious, to go along with a bit of flirting and lots of checking each other out. I attended my first Navaratri shortly after returning from India in the summer of '06. In the photograph, you will see a number of people in the foreground, getting ready to start another round of dancing. In the background, next to the oversized American flag but not visible in the photo, is the large Native American "Indian" emblem / mascot of the high school. To the right, you can see the sign that designates this particular high school as the "Home of the Indians." Hmm. A former student of mine told me that she has attended Navaratri celebrations in this very gymnasium for her entire life, and never noticed the signs and how ironic they are until I pointed them out to her. More intrigue and coinkidink, for your contemplation, from "the world wide web of stuff."
Friday, July 20, 2007
Bollywood and Ratatouille
Rats (and their cousins) have a lot to do with big history. Bubonic plague, for example. Everyone knows that. For millenia, the holds of ships have carried furry rodents as well as trade goods to the world's bazaar. Less well discussed is the fate of southern New England's 17th century beaver population, but their pelts and felts adorned many in the Netherlands and England at the time. Look (closely) at the paintings. Not the ones of drunks and peasants, but the ones of the power holders, accumulators of wealth, decision makers, and their women! Think (hard) about the hats worn by those risk-taking New World-making Pilgrim forefathers. Or the global icon Mickey Mouse. But I digress. Today's New York Times brings us news of a one-time Bollywood male dancer whose real job, for decades, has been that of Mumbai's (Bombay) champion rat exterminator. Gruesome and disgusting details are not withheld from the reader. And this news comes to me just days after seeing, in air-conditioned comfort, Pixar's latest, perfectly wonderful film about a rat who becomes the leading chef of a gourmet Parisian restaurant. In a local multiplex, of course (but not the one that also regularly shows a Bollywood film on one of its umpteen screens). A year ago, in Mumbai, I discovered what it meant really to perspire, and got glimpses of life among the poorest of the world's poor. They tend to inhabit lower-lying parts of the city where, when the monsoon rains come, they find themselves waist-high in water. Bombs exploded on the commuter trains. We heard testimony from people who lived in Dharavi, "the world's largest slum." These asymmetries must be considered, and taken into account. Lear's madness brought him naked, flailing, into the rain, where he saw truth and wished "to show the heavens more just." Are we mad enough?
Wednesday, July 18, 2007
Mumbai / Bombay Dabbawallahs
Labels:
Beijing fried Chicken,
dabawallah,
dabawallahs,
Mumbai,
Popeye
A 9/11 artifact for the Smithsonian?


I might as well share one of my prized artifacts from my collection of global flotsam and jetsam. I hope this one may earn me some retirement income someday, when I sell it as a "collectible" on eBay. That is, unless the salt leaches out of the soy sauce through the cellophane and it self-destructs through some chemical process of which I am ignorant. I shall not divulge just how many of these fine perishables I have in my artifact warehouse, so as to not adversely affect their ultimate market value! Anyhoo, as my Viennese shviggermutter says, it's one of those "who'dda thunk it" sorts of things that help me to make my point. About intersections between the local and the global, that is. It came from a fine local Fujianese takeout, one of gazillions, but this is the one that made local headlines a few years back: "Chef Charged With Spitting in Food."
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